Experimental Audio pproduced in collaboration by Patricia Domínguez, Futuro Fósil, Radim Lisa and Terezie Štindlová in Santiago and Puerto Saavedra, Chile and in Brno, Czech Republic, 2018. This piece was commissionedfor the exhibition 'Who Cares, a radio Tale' was curated by Naz Bescan, Ibrahim Cisse, Harriet Costello, Benedetta d'Ettorre, Alba Folgado and Agata Kik, as part of the Curating Contemporary Art Programme MA Graduate Projects 2018, Royal College of Art.
idreamt@ceramics is an artistic audio exploration on the mutation of colonialism into neoliberalism in the Chilean territory. The project carries out a non-generic revival of the history of the South of Chile from an interview to Lorenzo Aillapan, Bird-Man from Mapuche origins, who has dedicated many years to the cultivation and development of a unique and original literary genre: the interpretation of bird singing, who speaks of a sort of critical indigeneity which resists folklorization, re-combining and re-choreographing the elements of collective memory that encircle them with emancipatory gestures.
Elisita Punto Balbontín
María Angélica Domínguez
ATA01 by Futuro Fósil (link) (Chile)
Pasan Décadas feat Adriana by Buen Clima / Courtesy of Panal Records (link) (Chile)
MII 6 by deafness (Generic Trance) (link) (lic)
wonderstuck by Ryan Little (link) lic
DEATH?(DEATHZAWA) by CRZKNY2 (link) lic
Dream-More by Cid Ikarus (link) lic
Cristiano Campos - Neon City Light (Owen Ni's Dub Rework) - PREVIEW [Run On Recordings] 5.2.16 by Owen Ni (link) lic
Curating Contemporary Art Programme MA Graduate Projects, Royal College of Art.
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